Tickets can be purchased through the Entrio system for 5,00 EUR.
Admission is free for persons with disabilities, those over 65 years of age and children under 16.
Maxime Corbeil-Perron
Harnessing angular real-time editing from a custom-made light control system, the modulated lights of three analog film projectors are interrupted with speed and precision, using hand-built obturators, electronics, and software.
The projected images have gone through an array of transformations: beginning on Super 8 film, then transferred into digital image, converted back into analog video, digitized once more, and finally printed onto 16mm film. This layered circulation between photochemical, analog and digital formats became an essential part of the work, allowing the image to carry ‘paleontological’ traces of each transformation.
An audiovisual composition, the movement of light in space is tightly connected to sampled and synthetic sonic component. Landscapes of blazing colours, oscillating between abstraction and analog artifacts, underpinned by mechanical, syncopated rhythms.
A work that seeks to create allegories regarding the accelerating race toward technological progress, its impact on the environment, and our relationship with technology and its inevitable obsolescence.
Maja Milić: "INSCRIPTION, ENDURING, POTENTIAL"
(4-6 super8 projectors (loops), tapes, CDJ, pedals)
The performance centers on gesture as holder of subtle cultural memory and history, which could point to the body as an anthropological and sociological archive. Through physical habits, routines and automatisms rooted in the historical societal landscape (the source of tradition and folklore), the body possesses information and expresses knowledge of deep cultural implication.
The images are sourced from self-collected 8mm Yugoslavian home movies and deconstructed (by fragmented reshooting again on super8), trapping body movement or posture into short, unpredictable set of images, continuously re-arranged and re-choreographed in time. The body of the artist is very much present. The main guide is the sound. The material, filmic as well as sonic, is used as open structures which can be manipulated and reacted to in real-time.
The performance is a puzzle in a continuous research on (found footage as) experimental autoethnography, dwelling on her concept of the “Other within”. It includes an ongoing film, a book, an ongoing online textual archive "Dialogscapes", and radiophonic / sound experiments (some under published under Gypt records), often intermedial.
Read more about the concept and idea of "Other" in this interview.
Videos + more info.
