Dance artist Sonja Pregrad, designer and musician Andro Giunio and new media artist Tin Dožić coauthor this synesthetic work about touch, which is simultaneously a concert, an audiovisual performance and a dance piece. Choreography of Utopia, Movement #2 is a moving image, a hum and a perception of the frequencies emitted by different media coming in contact with each other, that is, touching the sensory and affective body of the viewers. For the festival Extravagant Bodies: Extravagant Love they offer an iteration of the work adapted to the specific space of the Cinema Korčula.

Choreography of Utopia, Movement #2 shapes interdependency as a utopian orga(ni)sm; it is a performance that arises from the immediate experience of touch. In the performance we look for the intersections in which movement, sound and light touch one another, where friction between them becomes a set of oscillations. We observe them as one, a body of minerals made up of different pulsating textures and intensities, a body of an animal with various limbs in motion, the body of utopia of different consistencies. The viewer’s immersion into the experience of viewing, listening and touching actively vibrates, becoming a part of this synesthetic body. “By posing the question of freedom, Choreography enters an intriguing paradox, drawing the boundaries and limitations of body, space and time and touching the membranes of materiality within which it pulsates. The impression prompted by the synesthetic nature of the performance, lends room for both a sense of freedom and a feeling of entrapment, absolute openness and claustrophobic fullness…”, Ana Fazekaš, Kulturpunkt.hr