Dan Oki is a visual artist and film author. His works focus on processes and explorations of personal, social, visual and literary contents, which require different media formats and ways of presentation. At the center of his interest lies a personal media archive and visual narratives in the context of galleries, new media and film. He belongs to a generation of artists who, during the 90s of the 20th century and the noughts of this one, dedicated themselves to the exploration of properties of visual arts in film and new media. He has exhibited works in the domain of contemporary art in institutions such as Mejan Labs - Royal Academy of Fine Arts in Stockholm, Museo Nacional Centro De Arte Reina Sofia in Madrid; Palazzo Pubblico in Siena; The 5th International Biennale ARTEC’97 in Nagoya; Museum voor Moderne Kunst in Arnhem; the Museum of Modern and Contemporary art in Rijeka; the Museum of Contemporary Art in Zagreb; Museum of Contemporary Art in Novi Sad; Doulon Museum of Modern Art in Shanghai; Smart Project Space in Amsterdam; Andiamo Gallery in Marseille; ARCO Blackbox in Madrid; Argos in Brussels; Red Brick House in Yokohama. The exploration of the moving image and media theory leads him towards independent live action film. As producer, scriptwriter and director, he worked on five feature films of different genres between 2004 and 2017: Oxygen 4 (2004), The Performance (2010), Darkness (2013) and The Last Super 8 Film (2017). His films have been screened at festivals such as Motovun Film Festival; Brooklyn Film Festival in New York; International Film Festival Rotterdam; Image Forum Film Festival in Tokyo; Pula Film Festival; Transmediale in Berlin; SEE Film Festival in Los Angeles; European Media Art Festival in Osnabrück; World Wide Video Festival in The Hague; Vidonale in Bonn. His works can be found in the collections of distinguished national and foreign media arts institutions. He is a full professor at both the Academy of Fine Arts in Split and Zagreb.