Florian Weigl is a curator at V2_, Lab for the Unstable Media in Rotterdam. As a curator and researcher he is interested in art and contemporary technology reflecting on society, in collaboration with artists in the development of critical dialogue, artistic reflection and practice-oriented research. He joined the curatorial team in 2015 working on both presenting and co-producing works and research. Curatorial projects at V2_ include the live experiment series 3×3 he initiated, the group exhibitions The Gig is Up (2016, with Sarah Cook), Latent Spectators (2019, UNArt Center, Shanghai, with Iris Long), Intimate Observations (2020 at Ermida Of São Roque, Tavira), To Mind Is To Care (2020), Reasonable Doubt (2021, with Vincent van Velsen), WATERWORKS (2022) and Becoming Geological (2022, with Martin Howse); solo projects and exhibitions Jonas Lund’s Operation Earnest Voice (2018), Philip Vermeulen’s The Physical Rhythm Machine (2017 at Ars Electronica, 2018 at V2_) Marnix de Nijs’ Ghosted Views (2019) Driessens & Verstappen’s Pareidolia (2020) and Johannes Langkamp’s solo exhibition Sun Tracing (2019), DNK Ensemble’s INTONA Re-enacted (2021), V2_’s public events series Test_Lab.