The art practice of Alfonso Borragán is articulated between research, teaching and production. His work has been described as a vague momentum, the critical moment in which the generation of images is fostered.
As an artist, Borragán reflects through images that are not fixed, graphias and latent traces of an experience. By means of tests of superposition, distortion, concealment or reformulation, his art explores its eventual limits. His processes are generated from the gaps of vision, the measurement of the non-measurable, or the paradoxes that reverse popular and scientific beliefs. His work methodology actives long periods of research related to the context. He gathers teams formed by scientists, anthropologists, geologists and other technicians who expand and elaborate different visions during those processes.
His last projects were exhibited at: No man’s Land: Mneme MUSAC, León, Spain; ærolito DNA, La casa encendida, Madrid, Spain; marentus, La Place & Foodcultura, Barcelona, Spain; Fosfofagia 04, Gilverto Alzate Foundation, Bogotá, Columbia; Fosfofagia 03, Khoj, India.
